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Past Productions
(Please click on title for further info)
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2004 Apr-May Sun
is Shining by Matt Wilkinson
A first for British-East
Asian theatre. Our production played again at the inuagural Brits Off
Broadway Festival in New York to again great reviews.
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2004 March Sweet
n Sour Comedy by Various Writers
A pilot for the BBC, this was a direct descendent
from our 1998 project Frying Circus. Produced by BabyCow productions (www.babycow.co.uk),
this was not picked up.
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2004 Jan The
Missing Chink (TV) by Paul Courtenay
Hyu
Produced by Touch Productions
(www.touchproductions.co.uk)
from a Mu-Lan original concept, this four-part series addressed the issue
of the conspicuous absence of the British-East-Asian on television.
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2002 & 2003 Mar-Apr
Sun is Shining by
Matt Wilkinson
Time
Out Critics' Choice.
"Theatre for the adrenaline culture" -Evening Standard "Not
to be missed"- What's On. Our first full London production
since Take Away, this show represents the first play to come to full production
from our new writing work and was a huge triumph both critically and at
the box-office. This production
was re-mounted at the Battersea Arts Centre in spring 2003 as part of
their "Best of Critics' Choice" season, when it yet again entered
that list
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2001 Nov 2nd
Festival of New Writing by Hong Khaou and Bruce Wang
Mu-Lan presented 2
plays selected from their 1st Festival of New Writing, which were performed
as rehearsed readings in their entirety, tying in with Soho Theatre's
New Writing Festival.
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2001 Sept Romeo & Juliet
by William Shakespeare
"This performance
is a masterpiece" "...an exceptionally refreshing and exhilarating version
of the famous tragedy." "Easily the best thing I have ever seen
at the Haymarket". This co-production with the Haymarket Theatre,
Basingstoke, is the country's first-ever Shakespeare production with a
predominantly Anglo-Chinese cast.
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2000 Nov Daughter of the River
adaptation by Daniel York
The original Chinese title is, in fact, "The
Hungry Daughter" (based on the autobiography by Hong Ying) - a referral
to the great famine that precedes the birth of the book's narrator; a
famine in which millions died but one that was kept secret until after
Mao Zedong's death.
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2000 Sept 1st
Festival of New Writing by Different Authors
'...Audiences will feast on eleven new works
by New British East-Asian writers, comprising ten small-scale performed
readings and one larger, showpiece presentation "Dining Alone" (Lab Ky
Mo)..' Review by Stuart Wood. www.dimsum.co.uk
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2000 Aug Take
Away my Take Away! an
inter-active arts installation
...A special day-out with the Mu-lan team at the Coram Fields Chinese
Arts in the Park Millennium Celebrations.
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1999 Feb Frying
Circus an original sketch-comedy show by Different Authors
The highlight of the Yan Huang Chinese New Year Festival in London's
Docklands,
this one-off show packed out Cabot Hall with over 300 people to witness
this unprecedented and to-date still the only Chinese comedy sketch show.
Devised and directed by Paul Courtenay Hyu, this has recently been picked
up by Steve Coogan and Henry Normal's Baby Cow television production company
and a pilot is being made by them for the BBC lin 2004.
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1998 & 1999 Take
Away by Stephen Clark
Manchester Evening News Award Nomination
to Pik-sen Lim for Best Actress
Time Out Critics Choice for entire 3 week run
…the play takes a grip that it never loosens…' Jeremy Kingston, The
Times
'Mu-Lan, a bright spark on the London theatre scene…
remarkable… I look forward to seeing what they do next.' Jane Edwardes,
Time Out
'Intelligent, lyrical and very funny…a bright, confident play…at other
times it can make you feel real pain and menace. Roger Love, Evening
Argus, Brighton
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1995 Suzy
Wrong, Human Cannon by Anna Chen
Writer and performer Anna Chen takes a shotgun and a scalpel
to Chinese women stereotypes and orientates us around key characters from
tantric sex Emperors to the originator of Wing Chun Kung Fu in this acclaimed
groundbreaking show.
"Charming, witty and sophisticated ... I am entranced,
won over." Sunday Times
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1994 Three
Japanese Women by Malcolm Campbell
'…sharp, touching, humane, highly charged…' The Daily
Telegraph
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1993 The
Magic Fundoshi (Three Modern Kyogen)
by Donald Richie
London Fringe Awards: Best Production of a Comedy
'highly entertaining, intelligent in its subtlety and hilarious in its
high comic drama' Claire Leow, Singapore Business Times
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1992 Porcelain
by Chay Yew
London Fringe Awards: Best Production
'Skill, versatility and precise ensemble work deserve praise for the performers…
the writing is sharply intelligent.' Carole Woddis, What's On
'Vital and vivid…an impressive blend of energy,
discipline and, yes, taste.' Benedict Nightingale, The Times
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1991 Madame
Mao's Memories by Henry Ong
'A triumph' Carole Woddis, What's On
'a compelling and salutary tale, powerfully performed…
one wishes it were only a story' Ann McFerran, Time Out
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